Cultural Citizenship, Popular Culture and Gender: Examining Audience Understandings of The Handmaid’s Tale in Hungary

Authors

DOI:

https://doi.org/10.51480/1899-5101.14.1(28).6

Keywords:

cultural citizenship, feminism, television entertainment, audience studies, Hungary

Abstract

This article examines how audiences engage with popular culture in ways that forge political awareness and civic engagement. Through exploring the various levels of engagement of Hungarian women with the 2017–2020 television adaptation of The Handmaid’s Tale, this study answers questions such as: How do Hungarian female audiences engage with topics raised in The Handmaid’s Tale? How does their engagement with the show encourage cultural citizenship? Based on in-depth interviews with twenty-two Hungarian women, this qualitative empirical research sheds light on the role of television drama series in facilitating the manifestation of cultural citizenship as an arena of identity-construction and community-formation.

Author Biography

Agnes Strickland-Pajtok, assistant professor, Eszterházy Károly University, Eger, Hungary

Agnes Strickland-Pajtok, PhD, is an assistant professor at the Department of Motion Picture Art and Communication at Eszterházy Károly University, Eger, Hungary. Her main fields of interest include the analysis of gender in popular culture; intercultural studies –with special emphasis on the representation of immigrants and minorities in various media and cultural products; and cultural elements of literary translation.

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Published

2021-06-21

How to Cite

Strickland-Pajtok, A. (2021). Cultural Citizenship, Popular Culture and Gender: Examining Audience Understandings of The Handmaid’s Tale in Hungary. Central European Journal of Communication, 14(1(28), 100-118. https://doi.org/10.51480/1899-5101.14.1(28).6

Issue

Section

Scientific Papers