Revolutionary Music in Lebanon and Egypt: Alternative Imaginaries for Self-representation and Participation

Authors

DOI:

https://doi.org/10.51480/1899-5101.15.1(30).8

Keywords:

Egypt, Lebanon, Revolutionary music, Alternative media, changing media

Abstract

Globally, mainstream media excludes or misrepresents many societal groups, resulting in significant community absences. In these contexts, alternative media plays a vital role in offering meaningful self-representation and political participation. This type of media becomes crucial in revolutionary contexts, where people rise against the injustices of their governments in hopes of change. This article offers a case study approach to revolutionary music in the Middle East, where we review the socio-economic and political contexts behind the emergence of alternative media in Lebanon and Egypt. We analyze our cases by using Bailey et al.’s (2007) comprehensive approaches to alternative media. We propose that revolutionary music evolves and adapts to larger changes in the public sphere. Still, as the article concludes, while music can enable a persistent community when demanding change, it does not guarantee an actual change in the political system.

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Published

2022-06-23

How to Cite

Bou Hamdan Ghanem, S., & El-Kheshn, B. (2022). Revolutionary Music in Lebanon and Egypt: Alternative Imaginaries for Self-representation and Participation. Central European Journal of Communication, 15(1(30), 150-167. https://doi.org/10.51480/1899-5101.15.1(30).8

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Section

Scientific Papers